What’s wrong Mani sir?


To begin with, let me not review this film.

I know lots of critics, bloggers alike have ripped it apart and maybe told good things alike.

I have heard more negatives about this film than the positives.

“No, don’t watch it!”
“Mani Ratnam got it completely wrong this time”
“What a waste of a movie”
“I can’t imagine a sensible director making such a lousy film”
“Raavanan? A mistake I did watching it!”
“God my 2 KD went down the drain”

And the whining continued… To the extent that I wowed not to watch this flop of movie ever.

But that freak in me told myself to give it a try and so I did.

I guess even after a year’s release of this movie, I would have managed to write this feature since I am hear to show a deaf ear to all those guys who are still out there ripping apart in shreds a gem of this movie into various bits and shreds.

Poor Mani Ratnam!

I guess talent, name, fame comes with a price. Even when he announced this feature… the critique, blogging continued about this venture and and rest as we all know is history. Movie got released and none I know of till date, liked this movie.

This is where I’d like to come in.

I loved this movie. Quite simply. I mean the Tamil version… Raavanan. And I truly consider this work of his art as one of his best works.

From the starting till the finish… I was quite hooked on to the story. I mean yeah, there are loop holes, some glitches here and there… come on…, let’s give this guy his due. Raavanan is not a bad film at all!

The characterizations of Vikram and Aishwarya are spot on giving some amazing and credible performances. The others do matter and don’t mostly. They matter less and mostly don’t matter and hence I’d not really get into that. That’s where I felt Mani Sir could have given little more thought. But then that’s still okay since most of the films these days do not follow the most common sense and why should we just rip Mani Sir for that sake?

The film has a certain coldness to it which I could feel from the beginning to the end. That’s Raavanan’s character and that kind of encapsulates the entire frames of the movie all the time. The dense jungles, the greenery, the wilderness, the rawness are very well captured in the film. There are few other characters who come and go and in my opinion did well for whatever was written from them. Prabhu, Vaiyapuri (As the Eunuch), Priya Mani lent enough support to carry the story forward. The roles of Prithviraj as Ram and Karthik as Hanuman could have been well written and this is where the movie kind of falters (Though not majorly… but could have been well thought of!)

But I am glad for not having seen the film in Hindi.
I am sure it would not be even ten percent worth for what it was in Tamil. And I just cannot see Abhishek Bachchan in the role of Raavan. It reminds me of a school kid striking a pose in a fancy dress competition.

Music of AR Rahman as usual grows on you.
After listening to them umpteen number of times and then when you watch the film you tend to like the songs in the film. Background score too plays an integral part of the film and has been woven very will into the movie.

Camera work by Santosh Sivan/ V. Manikandan deserves a special mention. This movie wouldn’t have been even half of what it is with out its cinematography something which Mani Ratnams films are good at.
Sequences such as Aishwarya’s intro scene on a boat is just too good, The shot where the camera is held under water and both the boats (Aishwarya and Vikram’s) approach each other, Aishwarya jumping off from the cliff, The rotating shot of Vikram on a lake with the kids… requires special attention.

Dialogues are raw and intense at times. Very well written by Suhasini mani Ratnam.

I missed having watched this film on a big screen.

Dear reader, I truly advise you to watch this film on a big screen or maybe a very good copy that you can get hold of.

If you have already seen it I can’t help much in convincing you otherwise but I am thoroughly impressed with the film.

What’s wrong Mani Sir?
How come you make films for people who like Anniyan, Sivaji, Pokkiri, Villu etc?

My rating
***1/2 out of 5
Director: Mani Rathnam
Camera: Santosh Sivan/ V Manikandan
Starring: Vikram, Aishwarya Rai Bachchan, Prithviraj, Prabhu, Karthik, Priya Mani
Music: AR Rahman
Lyrics: Vairamuthu
Dialogues: Suhasini Mani Rathnam


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Jai Ho Concert in Chennai – A review!!

This is a guest post by Karthik who blogs regularly at http://www.outofthemold.com/

The concert was really a good work but this is not the concert people from Chennai expect from Rahman! This concert is really a treat for die hard Rahman fans like me. But for the general audience this is really a slight disappointment. The crowd was very large where 70,000 people were accommodated and sources say nearly 25,000 tickets were sold on Saturday (October 10 2009), a day before the concert. Even if Rahman sung his usual peppy numbers like Mustafa or Humma or Thee Thee (Sivaji), something was desperately missing. Most of the songs sung were from Rahman’s recent 10 albums (that too, from Hindi). Most of the audience left the concert when it was only half through. Except Hariharan and Chitra, all the other singers remained weird to most of the audience. And they were introduced at the end of the show by Rahman. To mention a few were Tanvi, Shweta, a French rapper (sorry for not mentioning the name as I don’t remember!). Rahman’s work was really satisfactory as he sung ten songs, played some masterpieces in keyboard and in another instrument in which Rahman touched and produced music (again sorry for not mentioning it as I am ignorant on these).

Can we imagine a concert complete without S.P.Balasubramaniyam? And as said earlier something was missing desperately was S.P.B. Also big shots like Unni Krishnan, Sujatha, Swarnalatha, Unni Menon, Karthik, Srinivas, S.Janaki were missing in the show which is a real disappointment for Chennaites. As a Rahman admirer, I was really contented but from the reaction of the people my guess is Rahman should know the pulse of the audience next time. The same concert will be a treat for people in Hyderabad or Kolkatta for sure, where the forthcoming concerts are being scheduled.

Blissful events:

• A.R.R starting with Guru song and later singing Khalbali from “Rang De Basanti”. His attire was great with a scarf in this neck. And yes, Rahman has concentrated in his gestures which from a distance were charming for us.
• The songs I expected were sung, especially “Kabhi Kabhi Aditi”, “Ringa Ringa”, “Jashn E Bahara”, and many.
• “Mausam and Escape” from Slumdog Millionaire was played live which excited me a lot.
• Live music which was proved at many places unlike other concerts where tracks used to be played. And places where it was difficult to be played were filled by rap either by Blazee or others.
• The rap by Blazee before Humma Humma song serves as another remix to be downloaded.
• Hariharan and Chitra held the audience in seats with their usual melody tint.
• “Khwaja” song was sung with slight tears by Rahman in sitting position with a harmonium. I was moved and others also would have surely!

Drawbacks:

• Poor crowd management and sound arrangements. People in the periphery were unable to hear very clear.
• Shivamani should have given some more time as it didn’t create much impact on audience.
• As said already, Chennai people should have kept in mind and some good numbers should have planned.

The concert might be anything for anyone, but the thing that is very clear is, the heart beat of this show is RAHMAN – the only man who can make the people stay calm or dance with joy.
Rahman – I love you!!

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