What’s wrong Mani sir?


To begin with, let me not review this film.

I know lots of critics, bloggers alike have ripped it apart and maybe told good things alike.

I have heard more negatives about this film than the positives.

“No, don’t watch it!”
“Mani Ratnam got it completely wrong this time”
“What a waste of a movie”
“I can’t imagine a sensible director making such a lousy film”
“Raavanan? A mistake I did watching it!”
“God my 2 KD went down the drain”

And the whining continued… To the extent that I wowed not to watch this flop of movie ever.

But that freak in me told myself to give it a try and so I did.

I guess even after a year’s release of this movie, I would have managed to write this feature since I am hear to show a deaf ear to all those guys who are still out there ripping apart in shreds a gem of this movie into various bits and shreds.

Poor Mani Ratnam!

I guess talent, name, fame comes with a price. Even when he announced this feature… the critique, blogging continued about this venture and and rest as we all know is history. Movie got released and none I know of till date, liked this movie.

This is where I’d like to come in.

I loved this movie. Quite simply. I mean the Tamil version… Raavanan. And I truly consider this work of his art as one of his best works.

From the starting till the finish… I was quite hooked on to the story. I mean yeah, there are loop holes, some glitches here and there… come on…, let’s give this guy his due. Raavanan is not a bad film at all!

The characterizations of Vikram and Aishwarya are spot on giving some amazing and credible performances. The others do matter and don’t mostly. They matter less and mostly don’t matter and hence I’d not really get into that. That’s where I felt Mani Sir could have given little more thought. But then that’s still okay since most of the films these days do not follow the most common sense and why should we just rip Mani Sir for that sake?

The film has a certain coldness to it which I could feel from the beginning to the end. That’s Raavanan’s character and that kind of encapsulates the entire frames of the movie all the time. The dense jungles, the greenery, the wilderness, the rawness are very well captured in the film. There are few other characters who come and go and in my opinion did well for whatever was written from them. Prabhu, Vaiyapuri (As the Eunuch), Priya Mani lent enough support to carry the story forward. The roles of Prithviraj as Ram and Karthik as Hanuman could have been well written and this is where the movie kind of falters (Though not majorly… but could have been well thought of!)

But I am glad for not having seen the film in Hindi.
I am sure it would not be even ten percent worth for what it was in Tamil. And I just cannot see Abhishek Bachchan in the role of Raavan. It reminds me of a school kid striking a pose in a fancy dress competition.

Music of AR Rahman as usual grows on you.
After listening to them umpteen number of times and then when you watch the film you tend to like the songs in the film. Background score too plays an integral part of the film and has been woven very will into the movie.

Camera work by Santosh Sivan/ V. Manikandan deserves a special mention. This movie wouldn’t have been even half of what it is with out its cinematography something which Mani Ratnams films are good at.
Sequences such as Aishwarya’s intro scene on a boat is just too good, The shot where the camera is held under water and both the boats (Aishwarya and Vikram’s) approach each other, Aishwarya jumping off from the cliff, The rotating shot of Vikram on a lake with the kids… requires special attention.

Dialogues are raw and intense at times. Very well written by Suhasini mani Ratnam.

I missed having watched this film on a big screen.

Dear reader, I truly advise you to watch this film on a big screen or maybe a very good copy that you can get hold of.

If you have already seen it I can’t help much in convincing you otherwise but I am thoroughly impressed with the film.

What’s wrong Mani Sir?
How come you make films for people who like Anniyan, Sivaji, Pokkiri, Villu etc?

My rating
***1/2 out of 5
Director: Mani Rathnam
Camera: Santosh Sivan/ V Manikandan
Starring: Vikram, Aishwarya Rai Bachchan, Prithviraj, Prabhu, Karthik, Priya Mani
Music: AR Rahman
Lyrics: Vairamuthu
Dialogues: Suhasini Mani Rathnam


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Ayan-A Review

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Its time filmmakers down South get away from idolizing heroes and treating them as demi-Gods.

 

Debutant director K.V Anand (A cinematographer turned director) does just that.

Right from the entry of the protagonist upto the end, the director does what they should do at their best. Treat all the characters in the film as characters and not an actor outside their skin!

 

Basically a tried and tested formula, filled with some amazing action sequences, crisp story telling and great performances by the lead actor amply supported by the rest of the cast

 

The plot:

Without getting too much into details, the story revolves around an youth (Who happens to be a college student) who provides support to a local goon (Amazingly performed by Prabhu) and how he manages to use his skills to come out of a web of lies, deceit and power is what the story is all about.

 

You won’t find these:

For the first time, or I should say after a very long time, I saw a Tamil movie with no strings attached!

  • Hero’s song entry
  • Hero worshipped as God by his friends and well wishers
  • Punch dialogues
  • Item songs
  • Mother treating his son not as a son but her savior (Blah! Blah! Blah!)
  • A gesture typical to a certain movie (Aka Rajnikant and his allies…) I wonder sometimes, filmmakers must be taking years to get this right rather than the plot
  • Every frame only the hero gets to say the last word…

Now imagine, you find all the above in Rajnikant, Vijay, Ajith, Vishal, Chimpoo, Dhanush (Phew!) and how different are the movies from each other!

 

Ayan, is sans all the above. And how it rises above the script…

 

The stunning locales of Congo, Malaysia are all well captured onto the frame. This shows the skills of the cameraman-turned-director.

 

Treatment:

Every situation/ Frame has been deftly handled by the director:

  • Be it the mother-son relation (Very natural)
  • The relation/ scenes between Prabhu-Surya are just too good
  • The friendship that blooms between Surya-Tamannah’s brother
  • The action scenes, twists and turns in the plot
  • The best scene in the whole movie is the chase sequence in Congo between Surya and the goons. It’s a not to be missed scene. Reminds you of Bourne Ultimatum (Watch it and you will know) Amazing camerawork!

 

Songs/ Background score

Personally, I am huge fan of Harris Jayraj’s music.

He treats his music compositions to a different level. I had great expectations with this Surya starrer. However, beside one or two songs, there nothing much to write about. I guess its one of those Music blocks (akin to writers block!!!!)

However Nenje and Vizhi moodi… bear the typical “HJ” stamp.

 

Performances:

Surya plays Deva Velusamy and rises again and how! He’s proved once again that he can look cool and be serious too! Donning amazing six pack abs and no over the top acting. Very restrained and smart performance. Its really amazing to see an actor who doesn’t resort to silly gimmicks (Including his name which doesn’t have any tags like Illaiya Thalapathi, Puratchi thalapath, Little superstar etc etc etc) The name itself speaks volumes of this amazing star. A very commendable effort is that Surya giving enough screen space to the likes of Prabhu and Chitti babu (Tamannah’s brother)

Watch the entry of Surya and we then realize that this man can do wonders!

 

Prabhu as Arumuga Doss is simply too good! An amazing character artiste.

It’s good to see actors like Prabhu take on the mantle of the older and wiser generation well. As a mentor and smuggler, he’s extremely convincing.

 

The real surprise package is Jagan who makes you sit up with his laugh-aloud moments.

He’s done extremely good performances in scenes which require him to be at his comic best and serious most!

 

Ponvannan, turns in a dignified performance, with sliver of humor.

 

Tamannah doesn’t have much to do in a movie that’s about Surya.

But she acquits herself well in the second half, which requires her to be more than just a fair-skinned bimbette.

Akashdeep looks out of place with his screeching dialogues. But his characterization provides some excuse.

 

You might/ you might not notice

This movie has adapted many scenes from Catch me if you can, Blood diamond, Casino Royale, Bourne Ultimatum etc…

 

Forget the inspired storylines, scenes and situations.

Take a bow to a movie that doesn’t resort to gimmiks, heroism, loudness etc. It gives you what you would normally expect a Tamil movie to be… Entertain and provide reasonable logic!

 

All in all a definitely must watch

 

My rating: ***1/2 (Out of 5*)

Cast/ Credits

Cast: Surya, Prabhu, Tamanna

Director: K.V. Anand

Producer: M. Saravanan, M.S. Guhan, Aruna Guhan, Aparna Guhan

Music: Harris Jayraj

 

 

 

 

 

 

 

 

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